
Hello everyone,
Today my middle grade/young adult critique group met to discuss several stories. Some were, possibly, final copies of final chapters, and other were mere beginnings of stories; very first attempts of drafts and outlines. This brought up a very good point.
How do you critique something that is just an outline, or a very, very first draft? Do you critique it differently from a later draft? First I want to thank all the writers for sharing today. It is not easy to share such early drafts and can, at times, make a writer feel quite vulnerable.
Some of us, just made very general notes, not wanting to stunt progress - and this is a good thought. Some others of us (ah-hem) critiqued more to the reader’s thoughts, feelings, and questions while reading this early draft. I think it is important during these early stages of a story to know where you have succeeded, where you nailed the MC's voice, and where you are falling flat.
Sometimes, though receiving feedback at these very early stages for a writer can be… well not such a good thing. I think it is important to know, as a writer, what you can handle. Can you handle, do you want, feedback in these very early stages? Some writers thrive on this to know if they are on the right track, while for others – this early feedback can seriously deflate creativity and therefore stunt forward progress.
So, be honest with yourself. Know when you are ready. AND… when you are not ready, do not subject yourself to premature feedback. There is nothing wrong with missing a deadline in your writer's group, as long as it is not a habit. In THAT case, you have to be honest with yourself for another reason; to reflect on why you are continuously missing deadlines. Most likely you are afraid – afraid of failure, or success. Both can be scary, believe it or not.
Remember, only you are the true judge of your work and your readiness to present your work, and more importantly, your readiness to listen to said feedback.
Second, the topic came up that sometimes it is OK, even preferable, for a writer's group to take a session or so, here and there, where no one submits work for feedback, but instead, engages in an exercise, shares a tool, celebrates a long-term goal that has finally been met, etc. Sometimes, you need to re-connect with one another as friends, as comrades, as fellow writers, and not just critics of one another’s work. Sometimes, you need to re-connect to your love of writing and being in this group.
Point in case – a writer in my group just finished her novel – or at least we have finally finished critiquing it piece meal. Our next meeting will be a celebration of us coming to that end with her. What a huge goal to reach! – the last period, to the last word, of that last sentence, on that last page, of that last chapter in her story! WOW! We will also share elevator pitches for our current stories, perhaps write elevator pitches for one another, and maybe even do an exercise on outlining (groan) to get all of us to that last page!
So, writer’s groups can be about all sorts of things, learning about yourself, learning about others, celebrating with one another, and above all practicing on a friendly and supportive ear.
Today my middle grade/young adult critique group met to discuss several stories. Some were, possibly, final copies of final chapters, and other were mere beginnings of stories; very first attempts of drafts and outlines. This brought up a very good point.
How do you critique something that is just an outline, or a very, very first draft? Do you critique it differently from a later draft? First I want to thank all the writers for sharing today. It is not easy to share such early drafts and can, at times, make a writer feel quite vulnerable.
Some of us, just made very general notes, not wanting to stunt progress - and this is a good thought. Some others of us (ah-hem) critiqued more to the reader’s thoughts, feelings, and questions while reading this early draft. I think it is important during these early stages of a story to know where you have succeeded, where you nailed the MC's voice, and where you are falling flat.
Sometimes, though receiving feedback at these very early stages for a writer can be… well not such a good thing. I think it is important to know, as a writer, what you can handle. Can you handle, do you want, feedback in these very early stages? Some writers thrive on this to know if they are on the right track, while for others – this early feedback can seriously deflate creativity and therefore stunt forward progress.
So, be honest with yourself. Know when you are ready. AND… when you are not ready, do not subject yourself to premature feedback. There is nothing wrong with missing a deadline in your writer's group, as long as it is not a habit. In THAT case, you have to be honest with yourself for another reason; to reflect on why you are continuously missing deadlines. Most likely you are afraid – afraid of failure, or success. Both can be scary, believe it or not.
Remember, only you are the true judge of your work and your readiness to present your work, and more importantly, your readiness to listen to said feedback.
Second, the topic came up that sometimes it is OK, even preferable, for a writer's group to take a session or so, here and there, where no one submits work for feedback, but instead, engages in an exercise, shares a tool, celebrates a long-term goal that has finally been met, etc. Sometimes, you need to re-connect with one another as friends, as comrades, as fellow writers, and not just critics of one another’s work. Sometimes, you need to re-connect to your love of writing and being in this group.
Point in case – a writer in my group just finished her novel – or at least we have finally finished critiquing it piece meal. Our next meeting will be a celebration of us coming to that end with her. What a huge goal to reach! – the last period, to the last word, of that last sentence, on that last page, of that last chapter in her story! WOW! We will also share elevator pitches for our current stories, perhaps write elevator pitches for one another, and maybe even do an exercise on outlining (groan) to get all of us to that last page!
So, writer’s groups can be about all sorts of things, learning about yourself, learning about others, celebrating with one another, and above all practicing on a friendly and supportive ear.
Happy Writing,
Sheri
Sheri